Stephen Berens

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One/Two Person Exhibitions

Permanent Public Collections

Group Exhibitions

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Exhibitions Organized

Curating, Writing, Editing

Artist Bibliography:

Artillery, “Venacular Environments, Part 1,” Ida Safari, review, Los Angeles, June 28, 2017.
Milwaukee Journal Sentinel, “Walker’s Point gallery The Suburban,” Rafael Francisco Salas, August 18, 2017.
Whitney Biennial 2014, Whitney Museum of American Art, exhibition catalog, "MG’s WB," Michelle Grabner, pp. 260-265 & 269, "Stephen Berens speaks with Leslie Dick," pp. 322-324, Works in the exhibition p. 402, New York, 2014.
C.O.L.A. 2014: Individual Artist Fellowships, exhibition catalog, Department of Cultural Affairs, "Familiar Pursuits: Stephen Berens," Matthew Schum, pp. 14-19, Works in the exhibition p. 86, Los Angeles, 2014.
Artweek, "C.O.L.A. 2014: City of Los Angeles Individual Artist Fellowships Exhibition," April 28, 2014:
Contemporary Art Daily, review, May 7, 2014:
Artillery, "The party rolls along: Whitney Biennial," Stephen Maine, review, May 6, 2014:
Artcritical, "The Review Panel looks at the Whitney," Colleen Asper, Donald B. Kuspit and Joseph R. Wolin, review, April 26, 2014:
Collector Daily, "Photography in the Whitney Biennial 2014," Loring Knoblauch, review, April 23, 2014:
Mousse Magazine, "Whitney Biennial 2014, New York-Fourth Floor," review, April 17, 2014:
Open Eye Gallery, "Whitney Biennial 2014," review, April 4, 2014:
Parsons the New School for Design, "Whitney Biennial 2014," Amie Zimmer, review, March 24, 2014:
Mapos, "Whitney Biennial," Xinyang Chen, review, March 20, 2014:
Cananart, "Magical clicks by seven artists of note," review, March 8, 2014:
ARTslant, "In Conversation: First Impressions of the 2014 Whitney Biennial," review, March 7, 2014:
Time Out, "The Biennial tries something new, but winds up being the same old thing," Howard Halle, review, March 6, 2014:
Art News, "Photography at the Whitney Biennial: Hidden in Plain Sight," Rebecca Robertson, review, March 6, 2014:
Art Haps, "The 2014 Whitney Biennial at Whitney Museum of American Art," review, March 2014:
Leidžiant Iaikq/Taking Time,
Nida Art Colony Log, "Lietuviškas sluoksnis/ Lithuanian Overlay," reproductions, project description, pp.72-76, Nida, Lithuania, 2013
, Los Angeles, "From X to XV: Conversation with X-TRA Founders Ellen Birrell and Stephen Berens, Volume 15, Issue 4, pp. 84-105, Summer 2013.
Poor Farm Press, Manawa, WI, "All Over The Map," exhibition catalog, reproductions, statement, pp. 60, 65, 90, 93, 2012.
AEQAI.Org, "Stephen Berens: Thinking of Pinturicchio (While Looking Out Sol LeWitt’s Windows and Elizabeth Bryant: Sol LeWitt Studio Still Lifes, Carl Solway Gallery." October 22, 2012
Art Daily.Org, "Three new interconnected exhibitions open this fall at Carl Solway Gallery in Cincinnati," review & reproductions, September 16, 2012.
The Enquirer, Cincinnati, OH, "Local gallery exhibit channels Sol LeWitt," review & reproduction,
p. E4, September 7, 2012.
Poor Farm Press, Manawa, WI, "Why Did The Chicken Cross The Road: Original Jokes about the the Suburban and the Poor Farm by artists who have exhibited there," p. 6, 2012.
"Refocus: Multicultural Focus," Exhibition catalog, statement & reproductions, pp. 10, 11 & 47,
Los Angeles, 2012.
Poor Farm Press, Manawa, WI, "Can I come Over to Your House? The First Ten Years of The Suburban,"pp. 102-109, 2009.
Artext, Los Angeles, “Baldessari’s Urn: 90’s Art in Los Angeles,” Jan Tumlir, No. 71,
November 2000, pp. 32-51.
Art On Paper, New York, “Homage to Pasadena,” review, pp.30-31, September/October 2000.
X-TRA, Los Angeles, “Art/Journalism,” Laurence Rickels, essay & reproduction,Volume 2, number 4, Summer 1999.
dArt International, “To Agree with Freud or Not to Agree: Stephen Berens at ACME,” Christopher
Miles, review & reproductions, Volume 1, number 3, Fall 1998, pp. 18-19.
L.A. Weekly, “Art Picks of the Week,” Peter Frank, review & reproduction, July 17, 1998.
zingmagazine, New York, “Stephen Berens: Who’s Afraid of Reification?,” Jan Tumlir, essay with
reproduction, pp. 206-209, Autumn/Winter, 1996-97.
Artweek, Oakland, Ca., "A is for Archive," Jan Tumlir, essay with reproduction, pp. 12-14, July 1995.
"Program for Paradise," Project X with Occidental College and California State University,
Los Angeles, catalog, 1995
Los Angeles Times, "Transtextualism: Works to Read, See, Feel, "David Pagel, review, August 25, 1994.
"Re..Photo Construct," Cleveland State University , catalog, 1994.
The Plain Dealer, Cleveland, "Photo Construct," review, March 6, 1994.
"X-Treme Research," Project X with California State University, Los Angeles, catalog, 1993.
Artweek, Oakland, CA, "Funky Science: Project X's X-treme Research at Cal State LA,"
Lane Barden, review, March 18, 1993.
Los Angeles Times, "Hang the Mavericks,” Cathy Curtis, review & illustration,
November 6, 1992
"The First Show", Project X with Chapman University, Orange, CA, catalog, 1992.
Los Angeles Times, "Muni's Gallery 'Focus'," Kristine McKenna, review, February 1990.
Artweek, Oakland, CA, "Concerning Photographic Reality,” Susan Robinson, review & illustration,
April 8, 1989.
Artscene, Los Angeles, "Beyond Photography,” Elenore Wells, review & illustration,
April 1989.
LA Weekly, Los Angeles, "Art Pick of the Week,” Peter Frank, April 14, 1989.
Photo Metro, San Francisco, "Beyond Photography,” David Gold, review
& illustration, April 1989.
"Frames of Time and Context," Security Pacific Bank, Los Angeles, catalog, 1987.
"Collecting Photographs," Museum of Fine Arts, St. Petersburg, FL, catalog, 1987.
Artweek, Oakland, CA, "A Question of Meaning,” Chuck Nicholoson,
review & illustration, March 14, 1987.
Los Angeles Times, "A Focus on Creativity,” Suzanne Muchnic, March 1, 1987.
Amarillo Sunday News-Globe, Amarillo, TX, review, January 12, 1986.
Los Angeles Times, Los Angeles, "Off the Street Exhibit,” William Wilson, May 1985.
"Off the Street," Cultural Affairs Department, City of Los Angeles, catalog, 1985
Sunday World Herald, Omaha, NE, Roger Catlin, review, March 5, 1984.
"Photographic Artist and Innovators", Turner Browne & Elizabeth Partnaw, MacMillan
Publishers, 1984.
"Five Artist Southern California," Baxter Art Gallery, Pasadena, catalog, 1984.
Los Angeles Times, Los Angeles, "Exploring the Context of Pictures,” interview by Dinah Berland,
June 4, 1983.
"Contemporary Collage: Extensions," Gallery of Claremont Colleges, Claremont, CA,
catalog, 1983.
"Sleight of Hand," Calif. State University, Fullerton, catalog, 1982.
Artweek, Oakland, CA, "Altered Images,” Mark Johnstone, review, Nov., 1982.
Los Angeles Times, Los Angeles, "Colored Images of the Camera,” Suzanne Muchnic,
November 23, 1982.
Los Angeles Times, Los Angeles, "Art News,” Josine Ianco-Starrels, Oct., 1982.
"MultiCultural Focus," Municipal Gallery, Los Angeles, catalog, 1981.
"Florida Light," Loch Haven Art Center, Winter Haven, catalog, 1979.
Afterimage, Visual Studies Workshop, Rochester, NY, review, 1979.
"Altered Landscapes, "Florida School of the Arts, Palatka, catalog, 1979.
"Pharos 1978," Museum of Fine Arts, St. Petersburg, FL, catalog, 1978.
Souvenir of Florida, Tallahassee, FL, portfolio, 1978.
Exposure, Society for Photographic Education, "An Offset Portfolio,” December, 1977.
"Photographs," Sheldon Memorial Art Gallery, Lincoln, NE, catalog, 1977.
"1977 Artists Biennial," New Orleans Museum of Art, catalog, 1977.
Quiver, Tyler School of Art, Philadelphia, March 1977.
Exposure, Society for Photographic Education, December 1976.
"New Photographics," Central Washington University, Ellensburg, catalog, 1976.